Wheel Throwing - Functional Expression in Small Forms

Wheel Throwing - Functional Expression in Small Forms

Fall Class | Available

414 Plush Mill Road Wallingford, PA 19086 United States
Wheel Room
All Levels
9/11/2024-11/27/2024
2:00 PM-5:30 PM EST on Wed
$390.00
Member Discount Available
$30.00

Wheel Throwing - Functional Expression in Small Forms

Fall Class | Available

Explore ways of designing and decorating your wheel thrown vessels for different clays and firings. Learn how to use mishima, underglazes, taping and wax resist to create your finished designs. Discover how they can be successful in either oxidation or reduction kilns and in low or high fire clays. There will be throwing, faceting, and altering demonstrations as well as hands-on lessons in pulling handles.

 

  • Clay is not included in the supply fee.  Clay purchased with your registration needs to be pick up in this semester.  Clay puchases do not carry over from one semester to the next when purchased with the class.  Clay can be purchased in the office as needed throughout the semester.

    Students who wish to fire work in the soda kiln and are currently registered in a class that is not soda kiln specific can do so for an additional $20 fee per semester. You will be sent instructions with specifics for firing in the Soda Kiln at the beginning of the semester. Please call or stop by the office to sign up.

  • Students should bring basic clay tools (which can be purchased at CAC).
Adams, Jean
Jean Adams

Jean Reiter Adams is a native of Bergen County, New Jersey. She earned her Bachelors of Arts degree in Art Education from Wilkes College in 1978. Since 1985, Jean has been teaching in the Art Department at Wilkes University, teaching both ceramic and survey classes. While she considers working at the potter’s wheel to be her first love, Jean has been teaching hand building techniques along with wheel throwing for the past thirty-seven years. 

“I enjoy making quiet and simple pots that you can live with and react to on a daily basis. I want my pots to serve a purpose, but also stand on their own as strong visual objects.  I am intrigued with how clay works; it is fluid by nature, then fixed, and fragile in its final form. I grew up in a house that valued working with your hands and the value of good craftsmanship. I have worked in clay since 1976 because I love the medium and that love has helped me stay excited for all these years. I strive for the highest quality that my abilities allow me to achieve – which is what I also look for in my students.”

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Attention Parents

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We must have this form filled out, signed and returned to the CAC office before the start of your child's class or workshop.

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