The Speculative Studio with Derek Owens | Wednesdays 6-9pm | 1/7-2/11 | Spring 2026

The Speculative Studio with Derek Owens | Wednesdays 6-9pm | 1/7-2/11 | Spring 2026

Open Studios | Available

107 East Deer Park Road Dix Hills, NY 11746 United States
Studio 9
All Levels
1/7/2026-2/11/2026
6:00 PM-9:00 PM EST on Wed
498.00 USD
Member Discount Available

The Speculative Studio with Derek Owens | Wednesdays 6-9pm | 1/7-2/11 | Spring 2026

Open Studios | Available

This seminar is for creatives eager to extend and re-imagine their work by exploring a wide range of innovative mixed media artists, writers, and visionaries. Our studio will be a site of exploratory research featuring open discussion, brief screenings, mini-lectures, demonstrations, and focused exercises. Sessions will feature show-and-tell presentations where interested participants lead casual chats about their processes and inspirations, with an eye toward imagining new possibilities. Individually, the instructor will work one-on-one with participants to better understand their specific goals and interests; as a class, each session will privilege a spirit of group cross-pollination and idea exchange. Intended for painters and poets, collage and digital makers, video artists and fiction writers, and the uncategorizable. Participants will have access to a dedicated website featuring a deep list of source materials to consult during and after the course. Feel free to contact the instructor for more information: contact@derekowens.net.


  • A tiny sampling, in no particular order, of the many patron saints whose spirits will guide us throughout the seminar: William Blake, Zhang Xu, Kurt Schwitters, Georges Mélies, Joseph Cornell, Jess, Pipilotti Rist, Vanessa German, Arthur Jafa, Gins + Arakawa, Adrienne Piper, Maya Deren, Hilma af Klimt, Henry Darger, George Herriman, Adolf Wolfli, Paul Metcalf, Stan Brakhage, Xu Bing, Anne Carson, Robert Smithson, John Cage, Arthur Bispo do Rosário, Hannah Weiner, Eugene Von Bruenchenhein, M. NourbeSe Philip, Jenny Holzer, Hannelore Baron, Susan Howe, Jack Whitten, Bernadette Mayer, Basquiat, Susan Hiller, Gee's Bend quiltmakers, Philip Taaffe, Kamau Brathwaite, Tom Phillips, Plunderphonics, Refik Anadol, countless indigenous events, folklore, and rituals, etc., etc., & etc.
  • Participants are encouraged to bring any and all materials (paper, fabric, unfinished paintings, sketches, photos, bits of prose) for their own compositions, as well as to share with others if they wish.

Derek Owens

I'm an artist working in mixed media and a writer of fiction and poetry. My painting and collage reflect a fascination with sampling, remixing, and salvaging found materials. I'm drawn to discontinued fabric samples, library book discards, and anything old, worn, or forgotten found in flea markets, garage sales, and roadside garbage.

My painting process is one of layering--usually ink and acrylic first, then oil stick, then paper ephemera, string, zippers, dried flowers, peppercorns, etc. (I suppose here the compositional impulses resemble that of a bower bird.) My collage method involves hours of looking through old magazines and books for the unexpected off-kilter image to juxtapose with morsels of text from arcane sources—manifestoes on personal magnetism, weird medical histories, old timey elementary textbooks, and the like. My fiction has a magical realist bent; the poetry, like the visual collage, remixes language from discarded sources like vintage newspapers, pulp novels, and treatises by clairvoyants.

My work has been described as whimsical and surrealist. But a current running through my efforts is also solastalgia, the anxiety and melancholia we feel at impending environmental risk and crisis--what some have described as a kind of pre-traumatic stress disorder, a pervasive anxiety and apprehension at living here in the anthropocene. This mixture of melancholy and wonderment, disquiet and delight, echoes throughout the work. Seeking the fantastical in a saddening world.