The Speculative Studio: One Day Workshop with Derek Owens | Wednesday 6-9pm | 3/25 | Spring 2026

The Speculative Studio: One Day Workshop with Derek Owens | Wednesday 6-9pm | 3/25 | Spring 2026

Workshops | Available

107 East Deer Park Road Dix Hills, NY 11746 United States
Gallery
All Levels
3/25/2026 (one day)
6:00 PM-9:00 PM EST on Wed

The Speculative Studio: One Day Workshop with Derek Owens | Wednesday 6-9pm | 3/25 | Spring 2026

Workshops | Available

Join us for a 3-hour introduction to The Speculative Studio, a seminar for creatives interested in re-imagining and extending their work through Arts Based Research. Designed in the spirit of group cross-pollination and idea exchange, this Seminar will be a working space for exploration,
conversation, and directed self-study. Open to all ALLI members, this class offers a taste of the upcoming 7-week Speculative Seminar (Wednesdays April 15-May 27).

Each Speculative Studio class is typically divided into three parts: 1) Seeds. A multimedia tour of dozens of our most innovative and radical global artists. Video clips, website deep dives, and an exchange of books and printed materials on artists working with assemblage, sound, text, collage, fabric, video, film, architecture, comics, performance, and more. 2) Show-and-Tell. Open conversation where participants contemplate their past, present, and future work, sharing any materials and pieces they wish to bring. 3) Sandbox. Hands-on workshop working with an array of on-site media, as well as whatever materials artists wish to supply themselves.

Within and outside of the course the instructor will work individually with each student, suggesting artists, media, and sources of inspiration specific to their personal goals. Instead of classical modes of critique, this seminar takes its cue from non-judgmental approaches (the "See,
Think, Wonder"; method from Harvard's Project Zero; Terry Barret's principles for interpretation; Liz Lerman's response process; Marvin Bartel's "empathic critique".)

Intended for painters and poets, collage and digital makers, video artists and fiction writers, and the uncategorizable.


  • Derek Owens is a Professor at St. John's University; before that he taught in Harvard's Expository Writing Program. He is the author of "Workshops, Crits, and the Arts of Response"; (in Exquisite Corpse: Studio Art-Based Writing in the Academy), and his art can be found at
    derekowens.art . Feel free to contact him with any questions at contact@derekowens.net.


  • Participants are encouraged to bring any and all materials (paper, fabric, unfinished paintings, sketches, photos, bits of prose) for their own compositions, as well as to share with others if they wish.

Derek Owens

I'm an artist working in mixed media and a writer of fiction and poetry. My painting and collage reflect a fascination with sampling, remixing, and salvaging found materials. I'm drawn to discontinued fabric samples, library book discards, and anything old, worn, or forgotten found in flea markets, garage sales, and roadside garbage.

My painting process is one of layering--usually ink and acrylic first, then oil stick, then paper ephemera, string, zippers, dried flowers, peppercorns, etc. (I suppose here the compositional impulses resemble that of a bower bird.) My collage method involves hours of looking through old magazines and books for the unexpected off-kilter image to juxtapose with morsels of text from arcane sources—manifestoes on personal magnetism, weird medical histories, old timey elementary textbooks, and the like. My fiction has a magical realist bent; the poetry, like the visual collage, remixes language from discarded sources like vintage newspapers, pulp novels, and treatises by clairvoyants.

My work has been described as whimsical and surrealist. But a current running through my efforts is also solastalgia, the anxiety and melancholia we feel at impending environmental risk and crisis--what some have described as a kind of pre-traumatic stress disorder, a pervasive anxiety and apprehension at living here in the anthropocene. This mixture of melancholy and wonderment, disquiet and delight, echoes throughout the work. Seeking the fantastical in a saddening world.